Books, Reviews, YA Fiction

Black Bird Of The Gallows by Meg Kassel |a rich fantasy unfortunately marred by a trope-y romance

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3 stars

A simple but forgotten truth: Where harbingers of death appear, the morgues will soon be full.

Angie Dovage can tell there’s more to Reece Fernandez than just the tall, brooding athlete who has her classmates swooning, but she can’t imagine his presence signals a tragedy that will devastate her small town. When something supernatural tries to attack her, Angie is thrown into a battle between good and evil she never saw coming. Right in the center of it is Reece—and he’s not human.

What’s more, she knows something most don’t. That the secrets her town holds could kill them all. But that’s only half as dangerous as falling in love with a harbinger of death.

The natural response to the premise of Black Bird Of The Gallows would be to roll your eyes and mutter a half-hearted ‘pass’ because you’re too tired of the same paranormal romance plots being reused over and over again. However, looking at the praise this book was garnering so far ignited some hope in me, and while I didn’t hold candlelight vigils praying for this book not to be a Twilight repeat (looking back, I probably should have done that), I did let my expectations get high enough to be excited for this book. Well, fellow readers, I have been conned into a state of cOnFLict (the mix of upper case and lower case letters shows the stress this book has put on me). Once again.

I am conflicted over my feelings for BBOTG, but it’s easy to admit that discerning what I liked and what I did not like was a less painful process with this book. I loved the dark and moody atmosphere of Cadence, Pennsylvania (the setting of this book) and yes, small and somewhat mysterious towns are one of my fantasy weaknesses, and Kassel executed the vibe of them perfectly in this book. The world-building was also very original, I’m not used to harbingers of death the way I am used to vampires, werewolves, or fallen angels, but the mythology and history behind the harbingers and the beekeepers was completely new but well-done. I almost wish there was a sequel (fantasy standalones are quite rare) because the storytelling feels unfinished considering the amount of potential the world-building contains.

But, alas, I would only read that sequel if it was telling the story of a different set of characters. Angie Dovage is actually a very formidable heroine, she’s got a rough history and a complicated character due to it, and she’s also smart and admirably independent. Her best friends, Deno and Lacey, are a tad unnecessary until the very end, when they become considerably more significant and useful. Reece Fernandez is a goddamn bore to me, his chiseled jaw and sculpted abs aren’t as emphasized in this PNR, but regardless of the heavy descriptions and dialogue about his tortured soul, I really couldn’t attach an interesting personality to it.

It was my mistake not reciting a couple of mantras before preparing myself for the romance to hit, because man, was it painful. Practically instalove, and I was really holding out hope for something different because I heard such great things about this book. It’s clear Reece and Angie had an inherent attraction to one another but from the beginning, but the way they acted upon it and how quickly they got together felt wholly unnatural and forced. Their relationship has such a vague foundation, and while there are details later clarifying that foundation, it wasn’t enough to make their current romance believable. It’s upsetting, because the whole book is based on their relationship, and I just can’t put my faith in it.

This is just me, but I’m sure I would have been more content with BBOTG if there was a sequel to be released. With the introduction of certain characters, the intricacy of the world-building, and the amount of questions raised, there’s just too much unfinished work left to end it after one book. What about Rafette’s backstory? Hank’s backstory? What about Angie’s mom? All these questions are answered so quickly and swiftly like??  I think fantasy standalones just make me uncomfortable. They’re so unheard of.

In certain aspects, Black Bird Of The Gallows exceeds many standard PNR novels. The main character is actually competent and the world-building is existent. However, in other aspects, it simply sinks into the elements that make PNR so recognizable yet annoying, such as the ever present high school tropes and the unbelievable romance. I would recommend this to anyone who naturally loved the PNR genre, but don’t expect to find anything particularly special in the romance department.

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Books, New Releases, Original Post, YA Fiction

Anticipated releases: December 2017

Guys, can you believe it’s December already???

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It’s been a crazy and stressful year (in nearly every aspect) and I honestly can’t wait for these December contemporaries to close the year out in their lighthearted fashion. Yes, my anticipated releases this month are all indeed contemporary novels (surprise surprise!).

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Three Sides Of A Heart: Stories About Love Triangles – Coming December 19th

You may think you know the love triangle, but you’ve never seen love triangles like these.
These top YA authors tackle the much-debated trope of the love triangle, and the result is sixteen fresh, diverse, and romantic stories you don’t want to miss.
This collection, edited by Natalie C. Parker, contains stories written by Renee Ahdieh, Rae Carson, Brandy Colbert, Katie Cotugno, Lamar Giles, Tessa Gratton, Bethany Hagan, Justina Ireland, Alaya Dawn Johnson, EK Johnston, Julie Murphy, Garth Nix, Natalie C. Parker, Veronica Roth, Sabaa Tahir, and Brenna Yovanoff.
A teen girl who offers kissing lessons. Zombies in the Civil War South. The girl next door, the boy who loves her, and the girl who loves them both. Vampires at a boarding school. Three teens fighting monsters in an abandoned video rental store. Literally the last three people on the planet.
What do all these stories have in common?
The love triangle.

Never have I been so happy about love triangles! This sounds like a highly ambitious anthology and if there’s anyone who can turn the love triangle trope upside down, it’s definitely these authors. HYPEEEEImage result for page breaker
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Love, Life, and the List by Kasie West – Coming December 26th

Everyone knows Abby Turner is in love with her best friend, Cooper Wells. Including Cooper Wells. But despite what people tell her, it doesn’t affect their friendship. And she’s practically over it, anyway. What she really can’t get over is when her boss at the local museum tells her that her paintings lack heart. 
Art is Abby’s passion and she hopes her future as well. She is determined to change his mind and earn her way into the upcoming exhibit at the gallery. So along with her family’s help, she compiles “The Heart List,” a series of soulstretching experiences that are sure to make her a deeper person and better artist in six weeks or less. When Cooper decides to complete the list along with her, she realizes this list is expanding her heart in more ways than one. Maybe she needs to start another project.
Love, Life, and the List is about a girl who, in an effort to bring more emotional depth to her art, compiles a list of soul-stretching experiences to complete with her best friend—a boy she also happens to be in love with. 
This is the first in a set of three standalone books with crossover characters.

God, I really need to catch up on Kasie West. It’s amazing how this woman puts out several books in a year when I take months to get a task done. Definitely looking forward to this one!

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33413929The Love Letters Of Abelard and Lily by Laura Creedle – Coming December 26th

When Lily Michaels-Ryan ditches her ADHD meds and lands in detention with Abelard, who has Asperger’s, she’s intrigued—Abelard seems thirty seconds behind, while she feels thirty seconds ahead. It doesn’t hurt that he’s brilliant and beautiful.

When Abelard posts a quote from The Letters of Abelard and Heloise online, their mutual affinity for ancient love letters connects them. The two fall for each other. Hard. But is it enough to bridge their differences in person?

This hilarious, heartbreaking story of human connection between two neurodivergent teens creates characters that will stay with you long after you finish reading.

This sounds like such a sweet and diverse read. I’m glad mental illness is being represented more and more in YA literature and I hope this book doesn’t disappoint!

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Thanks for viewing guys! What are your upcoming December releases? Let me know in the comments 😀

 

Books, Reviews, YA Fiction

November mini-reviews

Hey peeps! I’ve decided to ‘mini-review’ a couple of shorter books I’ve read this month. This is probably a good idea because I don’t want to talk on endlessly about books that I don’t have much to say about.

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Gem & Dixie by Sara Zarr (2.5 stars)

Gem & Dixie explores the story of two sisters living in a dysfunctional and financially disadvantaged household with their unstable mother. After their dad comes back into their life, the sisters unexpectedly embark on a journey across Seattle that sheds light on their family and their complicated relationship. I found this book to be simply average in all aspects. While it did have its moments, the writing and story felt flat most of the time and it was a chore to drag myself through it because I was disinterested most of the time. Gem and Dixie themselves aren’t incredibly fascinating individually, but I did appreciate how their relationship was written. However, it wasn’t enough to make me enjoy this book fully.

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18075234Challenger Deep by Neal Shusterman (2.25 stars)

Challenger Deep follows the story of Caden Bosch, a boy suffering from mental illness and how it affects his delusions and what he experiences in the real world. The story is told from two narratives, one being real life and the other being a delusion of Caden, in which he is a part of a ship and crew that are traveling to the deepest part of the Earth, Challenger Deep. I feel sort of guilty for disliking this book, because Neal Shusterman (one of my favorite authors ever) is writing about a very serious and relevant topic. While I commend that aspect, the execution of it was simply not my thing. I normally don’t enjoy books told so abstractly which is why it was difficult to engage myself into the dual narratives. But, Shusterman’s ability to create something so different and though-provoking is always amazing.

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32860355Alex & Eliza by Melissa De La Cruz (3.75 stars)

Alex and Eliza follows the love story of Alexander Hamilton and Eliza Schuyler in the midst of the American Revolution. It seems that many have been attracted to this book because of Hamilton, the play but I’ve actually never seen it or listened to the songs (a grave sin, I know). I picked it up on a whim because I wanted a cute romance and I actually ended up liking the romance and many more elements. While the writing was a bit difficult to get into, I loved the atmosphere it evoked. The commentary and humor concerning the war and the social issues of the time was also entertaining. And of course, Alex and Eliza themselves were just lovable and their love story was swoon-worthy. I don’t use that word often but I can’t find a more accurate description than that.

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17623975Just One Day by Gayle Forman (3.75 stars)

Just One Day follows the story of Allyson Healy, as she meets Dutch actor Willem on a post-graduaction European tour before traveling with him to Paris on an impromptu trip. One day of freedom, risk, and getting lost on purpose with Willem changes Allyson’s life, and when she wakes up the next day to find him suddenly gone, she is shattered. The second half of the novel follows Allyson as she goes to college, creates new memories, and tries to find herself while searching for Willem. This book came as a pleasant surprise, and I loved how while it was marketed as a romance, it was actually about Allyson desperately trying to tap into the girl she was on that one day in Paris. It’s about her journey to self-discovery and I thought her character, and the rest of the characters and their relationships with one another, was very well-written.

Thanks for reading, guys! Leave a comment below with your thoughts 🙂

Books, Reviews, YA Fiction

This Is What Happy Looks Like, by Jennifer E. Smith (review)

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2 1/2 stars

If fate sent you an email, would you answer?

When teenage movie star Graham Larkin accidentally sends small town girl Ellie O’Neill an email about his pet pig, the two seventeen-year-olds strike up a witty and unforgettable correspondence, discussing everything under the sun, except for their names or backgrounds.

Then Graham finds out that Ellie’s Maine hometown is the perfect location for his latest film, and he decides to take their relationship from online to in-person. But can a star as famous as Graham really start a relationship with an ordinary girl like Ellie? And why does Ellie want to avoid the media’s spotlight at all costs?

This Is What Happy Looks Like is my fourth Jennifer E. Smith novel and my last attempt to salvage my rocky relationship with her style. I’ve never strongly disliked Smith’s books but most of them have been deemed as ‘meh’ novels, which is much worse to me because I hate being in a limbo, not liking but not hating it either. I looked to This Is What Happy Looks Like to change that, but all it did was add to it. While I definitely liked the writing better this time around, the characters, pacing, and overall plot still fell glaringly flat.

Smith’s writing was always a sore point for me, while I did like her way with words, they didn’t keep me engaged and actually bored me to an extent. But, I was definitely more entertained by the writing in this novel, It felt much more defined and stable, contrary to the directionless and vague prose of The Geography Of You And Me and Hello, Goodbye, And Everything In Between. However, the writing couldn’t save the utter mind-numbing boredom the story gave me. Smith’s novels all have very different concepts but there’s always something missing that ties them together, and I just felt like I wasn’t reading anything new. While I appreciate the fact that the movie-star story line wasn’t campy and cliche, the pacing and plot were so stale and far too quick.

Also, unresolved plot points?? Ellie and her best friend Quinn end up in an ‘argument’ over freaking nothing at the beginning of the book and they don’t talk for most of the book until Quinn suddenly shows up again towards the end? What about Quinn and Devon? Where did that come from? What about Ellie and her dad? Graham and his parents? What about the emails? We were shown 5 of the emails and then … no more. These are important questions, people! There are so many subplots involved but they all either build to nothing or are completely ignored. I feel so unsatisfied by this, because these plot points seemed added in just for the hell of it but they aren’t correctly paced or told about at all.

The characters, save for Graham, couldn’t seem to characterize themselves as anything else than cardboard cutouts. Ellie has everything set up for a typical contemporary female lead: a single parent, some secret concerning her family, a relationship with a best friend that somehow loses its way throughout the story (usually due to ‘trust issues’ or some shit like that). While I liked her enough toward the beginning, I slowly started to lose interest as the story progressed because her characterization didn’t progress along with it. Again, nothing new. Graham, on the other hand, surprised me immensely and is actually my favorite part of the book. He felt human and totally real from page 1, and I love how Smith didn’t try to overemphasize his ‘regular’ side and ‘perfect celebrity’ side.

The romance was another element of the book that completely took me by surprise, and not in a good way. Ellie and Graham’s in-person meet took place early in the book, which ruled out any possibility for the tension building up to a possible relationship. There weren’t nearly enough emails showed to display their previous connection, and when they made the jump to form an in-person romantic relationship, it just felt too fast and unnatural. Plus, when they were together, Graham and Ellie had no chemistry! I didn’t find their romance to be believable at all, Hadley and Oliver from The Statistical Probability Of Love At First Sight were more believable together, which is saying something because I wasn’t the biggest fan of those two either.

I wish I liked this concept’s execution just as much as the concept itself, and while this pretty much marks the end of my complex relationship with Smith’s writing, I still have some hope remaining. Would recommend if you’re looking for a quick read and are a fan of Smith’s previous novels.

Books, Reviews, YA Fiction

Frostblood, by Elly Blake | Shadow And Bone meets Frozen

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3 stars

The frost king will burn.

Seventeen-year-old Ruby is a Fireblood who has concealed her powers of heat and flame from the cruel Frostblood ruling class her entire life. But when her mother is killed trying to protect her, and rebel Frostbloods demand her help to overthrow their bloodthirsty king, she agrees to come out of hiding, desperate to have her revenge.

Despite her unpredictable abilities, Ruby trains with the rebels and the infuriating—yet irresistible—Arcus, who seems to think of her as nothing more than a weapon. But before they can take action, Ruby is captured and forced to compete in the king’s tournaments that pit Fireblood prisoners against Frostblood champions. Now she has only one chance to destroy the maniacal ruler who has taken everything from her—and from the icy young man she has come to love.

I was reluctant to go into Frostblood because of the overflowing negative reviews, before realizing that it was rated such a way because of its repetitive plot, repetitive character writing, and other aspects of nearly every YA fantasy we have seen before. And yeah, I agree. However, much to my chagrin, I ended up liking it anyway due to my everlasting love for the Avatar universe (water, earth, fire, aiiiir) and its general engaging, entertaining nature. Plus, arena battles. You can never go wrong with arena battles.

When it comes to the world-building and plot, many readers have been comparing Frostblood to Red Queen and Red Rising, comparisons that I totally understand even if I’ve never read those two. I would consider Frostblood to be similar to Shadow and Bone, but its world-building and writing isn’t nearly as developed as the Grishaverse. Of course, I will always choose the Grishaverse over anything but I don’t know anything about the Frostblood world, besides a few stories about their mythology and their powers. Yes, there is background information sprinkled here and there, but it never comes full-circle to form a big picture. A map would have really, really, helped (seriously, can we make maps mandatory in all fantasy novels?). It’s a good thing I enjoy frost and fire powers (you can thank my Avatar obsession for that), because that’s the only thing that kept me afloat throughout the book, plot and world-building wise.

Concerning the characters, I would say Ruby, Arcus, and the Frost King (I forgot his name, dammit) are direct parallels to Alina, Mal, and the Darkling from the Shadow And Bone trilogy. Ruby has a fiery, passionate, and mischievous personality but I simply couldn’t come to love her, because she reminded me too much of Alina Starkov, who I adore infinitely more. However, she was enough to keep the book engaging and played a significant role in engaging me. Unfortunately, her boy toy (s) aren’t as great. Arcus is another carbon copy of every brooding, mysterious male love interest and the Frost King is a poor-man’s version of the Darkling. He’s so forgettable, I can’t even remember his name!

Obviously, these three form a very uninteresting love triangle but this doesn’t entirely come to light until the second half of the book. Ruby’s primary love interest is Arcus, and while I enjoyed their chemistry and relationship, I felt as though it progressed too quickly and predictably. It didn’t particularly bring anything new to the romance department, but I am looking to see it grow throughout the rest of the books. If I even decide to read the rest.

Judging by commentary, one would assume I hated this book. So why the 3 star rating? Well, arena battles are my shit. Ruby fighting the various warriors and creatures with her powers and weapons was so cool and entertaining. I’m already hella biased toward elemental powers so I enjoyed the action scenes. The story’s overall entertaining and addictive nature kept me going, but other than that, there isn’t much that is special about this book. However, I still might continue with the series with the hope that it will define itself by branching out on its own more.

-Haven

Books

Alex, Approximately, by Jen Bennett

2.5 Stars

The one guy Bailey Rydell can’t stand is actually the boy of her dreams—she just doesn’t know it yet.

Classic movie fan Bailey “Mink” Rydell has spent months crushing on a witty film geek she only knows online as Alex. Two coasts separate the teens until Bailey moves in with her dad, who lives in the same California surfing town as her online crush.

Faced with doubts (what if he’s a creep in real life—or worse?), Bailey doesn’t tell Alex she’s moved to his hometown. Or that she’s landed a job at the local tourist-trap museum. Or that she’s being heckled daily by the irritatingly hot museum security guard, Porter Roth—a.k.a. her new archnemesis. But life is a whole lot messier than the movies, especially when Bailey discovers that tricky fine line between hate, love, and whatever it is she’s starting to feel for Porter.

And as the summer months go by, Bailey must choose whether to cling to a dreamy online fantasy in Alex or take a risk on an imperfect reality with Porter. The choice is both simpler and more complicated than she realizes, because Porter Roth is hiding a secret of his own: Porter is Alex…Approximately.

This is a book I really wanted to like. And I really mean it when I say that. The blurb sounded cute, the ratings were good, but most of all, Haven thought it was an example of fluff done right. And while I see why people like this book so much, I also think that I’ve read too many almost identical contemporaries to truly enjoy this formulaic type of book anymore. Sorry, Haven. 😦

Alex, Approximately is a retelling of You’ve Got Mail, and the premise is actually very cute. I appreciated that Bennett understood that the fact that Alex being Porter was too obvious to turn into a plot twist, and thus we were told of this in the blurb itself. The book itself started out predictable, but still cute. Bailey is likable, her friend Grace enjoyable, and Porter was the current-asshole-with-a-dark-secret-but-wait-you’re-gonna-love-him kind of guy. After the start, however, I felt there was a pretty significant drop in enjoyability; my irritation was probably increased by the fact that I was on a feminist literature streak, and contemporaries are not known for being amazing in this department.

I don’t want to make this entire review about the bad, since I did enjoy this to a certain extent, but I can’t help it. My first problem with it is how long it took Bailey to figure out the Alex-Porter connection. I don’t generally do well with dramatic devices that involve the audience knowing something the characters don’t, and I quickly lost patience with Bailey. The moment we’re waiting for really only happens in the last 10 pages of the book after huge amounts of stalling, and while I understood why it was written that way, Bailey came off as pretty dense to me.

My second problem is the “villain.” Fluff contemporaries generally have bad guys who are zero-dimensional (typically in a “mean girl” form) and this book was no exception. Because it’s a facet of the genre, I don’t mind this type of villain, but I thought the character of Davy was grossly abused in the writing. He’s portrayed as Porter’s old friend who’s now an all-around idiot and asshole, but he has a chronic injury, is addicted to narcotics as a result, and his parents don’t care about him enough to address it. That sounds like a character who’s desperately in need of reconciliation and help, but he’s just the “bad” guy in this book and is dismissed as such. I think this book would have been stronger if there was less victim blaming, or even if Davy just stayed zero-dimensional without all these cries for help.

My final problem is the incredible amount of guys doing things for girls because females are incapable creatures. Maybe I’ve been on a feminism streak lately (as I mentioned earlier), but I was waiting for Bailey to finally stick up for herself, and was relatively disappointed. Bailey is initially a “serial avoider” (a pushover), and the growth potential was enormous. Although she does come out of her shell and make out with Porter, this book is still filled with: Porter punching people to “defend her honor”, Bailey nursing his wounds and swooning, Bailey obsessing over Porter when he’s mad at her and begging him to stop being mad (even though she knows she did nothing wrong), and much more. Porter’s sister could potentially have been a strong female addition to this book, but we didn’t really get enough of her. I will admit, however, that Grace is a wonderful character and fun to read about.

Despite this in depth analysis of flaws, I did truly enjoy this book – it’s a fluff novel that succeeds in doing its job. Perhaps I wasn’t in the mood for fluff when I read this. Perhaps I was in the mood of something deeper, and this overly harsh review is evidence of that. Regardless, if you’re looking for a fun rainy day read, this review shouldn’t stop you from picking it up.

(Click here to read Haven’s review, which is more positive and does more justice to the genre)
-Aliza

Books, Reviews, YA Fiction

Everything, Everything by Nicola Yoon | every cliché you’ve never wanted

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My disease is as rare as it is famous. Basically, I’m allergic to the world. I don’t leave my house, have not left my house in seventeen years. The only people I ever see are my mom and my nurse, Carla.

But then one day, a moving truck arrives next door. I look out my window, and I see him. He’s tall, lean and wearing all black—black T-shirt, black jeans, black sneakers, and a black knit cap that covers his hair completely. He catches me looking and stares at me. I stare right back. His name is Olly.

Maybe we can’t predict the future, but we can predict some things. For example, I am certainly going to fall in love with Olly. It’s almost certainly going to be a disaster.

Usually when I rate a book one measly star, I expect to have some burning hate or sadness toward it because it’s disappointed me that much. However, the truth is, the books that I usually rate 1-2 stars are those that I expect to dislike. Everything, Everything is a book that I knew I would hate right off the bat, but like everyone else, I too gave in to the immense hype. Unsurprisingly, I thought it was ass, but I’m still really mad that this concept couldn’t have turned out to be anything other than a cliché, trope-y, colossal mess.

I guess I’m heartless: I suppose I’m a bit of a cold-hearted bitch because this book made me feel absolutely nothing. The writing was incredibly simplistic and not at all thought-provoking, choppy sentences riddled the novel making it devoid of any emotion that could have made the story more fulfilling. While the prose was easy to slide through, it was also easy to skip/skim pages because there was no commentary offered to match the strange situation Madeline is in. It’s some of the blandest, most soulless writing I’ve ever encountered, which is funny, because the whole point of the novel is to take risks and explore life.  It’s supposed to be exciting and thrilling and inspiring, but all I felt was boredom. The only parts where it actually said something somewhat meaningful were ruined by the cliché framing of the message. Take risks! Love is worth everything! Live your life to the fullest! Okay, you’ve said something but can we please try to make it less cheesy and more provocative? This aspect basically demolishes everything this book wanted to be.

Equally soulless characters + an equally soulless romance: The character are so damn pointless, I would rather watch paint dry than read their story. Okay, no, but you catch my drift. Madeline and Olly basically had no personality, they felt like cardboard cutouts of every quirky female character and brooding yet secretly cute male. The only thing that somewhat classified them as living, breathing, fictional characters was their romance. Which is a sham! Why? Because it’s plagued by this bitch called instalove. Olly and Madeline are literally meant for each other, they’re freaking soulmates and I don’t say this with a positive connotation. I’m saying that their entire view of life changes the moment they meet, and the things they say to each other are so damn cringe-inducing, cheesy, and just plain ridiculous. If I had explain all the instances and reasons why their ‘romance’ is bullshit, it would take me all fucking day.

Plot holes!1!!!1!: Plot holes GALORE. First off, SCID, Madeline’s disease, seems to be highly glossed over and depicted in a shallow way. It’s not explained at all, and it’s easy to see the superficiality because Madeline touches Olly in their second in-person meeting and doesn’t die, goes outside and stays there for a couple seconds and doesn’t die, runs off to fucking Hawaii with a man she barely knows for three days and experiences nothing crazy due to her condition. She’s able to eat nearly anything she wants and touch anything she wants in the house and nothing happens to her. I suppose this is an indication for what’s about to come (for those of you that have read this book, you know the mega spoiler I’m talking about), but it still makes me uncomfortable that such a disease is made so … trivial. Maybe trivial is too strong a word, but after experiencing the ending it all feels so cheap and calculated.

I already knew about the ending, and I’m sure y’all know about it now because there’s only one kind of twist this book would take. I saw it coming but whatever negative feelings I had about this book multiplied 5 times because … just what?! The ending adds a whole other plethora of plot holes because it simply doesn’t make a lick of sense.

Everything, Everything and I were doomed from the start but I’m glad I tried because now I see how worthless the hype is. Unless you wholeheartedly enjoy cheesiness, instalove, and other dreadful YA clichés, steer clear from this one.